Veteran American independent filmmaker Todd Haynes (Safe, Far From Heaven and Mildred Pierce) doesn’t make many films, but the master of precision is consistently fascinating on an academic level, and because he works outside of Hollywood, must work hard to source funding. He is celebrated for his cinematic representation of gay people, authentic period reproduction, experimentation with gaze, and his fascinating female characters, whom he offers point-of-view and agency. They are always examined in thoughtful and complex ways, making Patricia Highsmith’s groundbreaking source material, The Price of Salt, a perfect fit for his sensibilities. Haynes has worked with in the past and drawn stunning performances from Julianne Moore (Safe and Far From Heaven) and Kate Winslet (Mildred Pierce), and this is second collaboration with Cate Blanchett (who takes on one of the portrayals of Bob Dylan in I’m Not There).
His exquisite and elegantly restrained romantic drama Carol, which has been on every film buff’s most anticipated list since its première at the Cannes Film Festival (where it won the Queer Palm), is an enchantingly beautiful production. With striking 16mm film compositions, an authentic recreation of 1950s Manhattan, and a lovely score from Carter Burwell – it is a moving adaptation of Highsmith’s transcendent, heart-swelling tale. She is perhaps best known for writing The Talented Mr. Ripley and Strangers on a Train (which have also been adapted for the screen), but due to the book’s homosexual relationship, she wrote The Price of Salt under the pseudonym Claire Morgan. Written for the screen by Phyllis Nagy, it has gone on to be a multi-BAFTA and Academy Award-nominee. The two lead actresses, the faultless Blanchett and the astonishing Mara (The Girl With the Dragon Tattoo, Side Effects), are absolutely radiant, but every frame of the film is a work of art.