I present to you the biggest surprise of the Sydney Film Festival so far. This is an incredible film, and an understandable winner of Best Debut Feature and Best Director awards at the 2015 Venice Film Festival. As an actor, the 28-year-old Brady Corbet has displayed a taste for working with master filmmakers like Michael Haneke, Olivier Assayas and Lars Von Trier, appearing in films such as Mysterious Skin, Funny Games, Force Majeure, Clouds of Sils Maria and Melancholia. He has also written and edited several feature films, so after a decade of what seems to be grooming from some of the world’s élite directors he has been given the opportunity to produce and direct one to rival them. The result is an extraordinary debut achievement – a stylish, ambitious, and audacious period piece which feels like a lost great work from Louis Malle or Stanley Kubrick – which also offers mesmerising, precisely composed visuals and an assaulting orchestral score that immediately demolishes any expectations you may have for the film. Having seen thousands of films it is always exciting when one takes you aback, and offers such a whirlwind of intellectual and sensory impact.