Aug 062016
 

jasonbourne

After vowing that they were done with the Bourne films, Matt Damon and director Paul Greengrass are back with yet another Jason Bourne movie called, um, Jason Bourne. Arriving after a stellar trilogy of Damon-led films and a sole experiment with Jeremy Renner, Jason Bourne had the potential to be another gripping instalment in the life of everyone’s favourite amnesiac superspy. What was delivered has instead fallen far short of what came before, including the Damon-less The Bourne Legacy which at least made an admirable attempt at innovation. My review of Jason Bourne is after the jump.
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Jul 212016
 

startrek

Opinion has been sharply divided over the two rebooted Star Trek films spearheaded by J.J Abrams. Many long-term fans of the sci-fi behemoth have been underwhelmed, dismissing the films as action films set in space. Others with less investment in the property, myself included, have found great enjoyment in them for precisely the same reason.
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Jun 292016
 

being-17-andre-techine

As per usual, the New Zealand International Film Festival is absolutely packed with an amazing variety of fantastic films. I have been lucky enough to see a fair amount of the films showing, so I’ve gone through the programme and picked 12 films I think are worth adding to your festival schedule. Check them out after the jump.

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Jun 262016
 

cena-do-filme-brasileiro-aquarius-dirigido-por-kleber-mendonca-filho-com-sonia-braga-no-elenco-1462821324316_956x500

After looking forward to it for so long, it’s hard to believe that another Sydney Film Festival is done and dusted. The quality of films was exceedingly high this year, and we had a wonderful time at the festival. Thanks and congratulations to the entire festival team and all of the volunteers.

The Sydney Film Prize (the prize given to the winner of the Official Competition) was this year awarded to Kleber Mondonca Filho’s Aquarius, which also happened to be our favourite film from the festival. The Audience Award (Feature) was awarded to Deniz Gamze Ergüven’ s Mustang; while the Audience Award (Documentary) went to Australian documentary Zach’s Ceremony, directed by Aaron Petersen. 

After the jump we have picked out favourite films, performances, music, cinematography, and other achievements, from the films we saw at the festival. For context, Sam saw 40 films and Andy saw 49 – about 1/5 of what was playing. These selections are purely based on what we saw, and we have no doubt we missed some gems – please let us know what they are! We highly recommend you seek out any of the films mentioned in our “awards” after the jump.

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Jun 172016
 

Mahana

Set in 1960s rural New Zealand, Mahana (adapted by John Collee from the novel ‘Bulibasha: King of the Gypsies‘ by Witi Ihimaera) tells the story of a Māori family who are ruled over by their iron-fisted patriarch, Tamihana Mahana. Tamihana’s word is law, and he expects a lot from his family, particularly from his young grandson Simeon, who has of late begun to question his grandfather and other aspects of his life.

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Jun 162016
 

markees

Winner of the 2016 Sundance Film Festival Screenwriting Award, writer/director Chad Hartigan’s third feature film Morris From America is the tender coming-of-age story of a 13-year-old African-American teenager, Morris (Markees Christmas), who is trying to navigate puberty and acclimate to a strange new world, after being relocated to Heidelberg, Germany with his single father, Curtis (Craig Robinson, The Office and This is the End).

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Jun 162016
 

Chevalier

Athina Rachel Tshangari’s Chevalier is effectively a movie-length pissing contest, with a painfully accurate representation of the fragile egos of men. Six men on a fishing holiday aboard a luxurious yacht invent a game to pass the time. The game formalises what the men have been doing the entire trip, and likely their entire lives, which is competing with each other – seeking validation of their manhood.

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Jun 152016
 

ItsOnlytheEndoftheWorld

Xavier Dolan, the 27-year old French-Canadian filmmaker with prodigious talent and a handful of brilliant films under his belt (including the 2014 Jury Prize winner, Mommy), returned to Cannes this year with the understandably anticipated It’s Only the End of the World. Despite being met with boos and largely negative reviews, it was surprisingly awarded the prestigious Grand Prix prize. While it is a flawed film, it certainly doesn’t deserve that vitriolic reception. There is still a lot to like about this emotionally intense – and often excruciatingly shrill – but stylistically restrained family drama, adapted by Dolan from an eponymous play by Jean-Luc Lagarce.

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