The latest film from Christopher Nolan (The Batman Trilogy, Inception) is sure to be, for many, the most anticipated film of the year. This is especially considering the marketing tease of epic intergalactic exploration, the fact that it is shot in a combination of anamorphic 35mm and IMAX 70mm (and will be projected in both formats), and brings in the man behind the McConaissance. This may be Nolan’s most ambitious film yet, as he attempts to balance an intimate existential story about the power of love and its ability to bind humans and families together across time and space, with credulous scientific hypothesizing about cosmic physics and a challenging mission to save the world. At the same time it is his most intellectually wobbly, narratively goofy and surprisingly forgettable.
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