Aug 182016
 

The Shallows Duo

The Shallows is the latest film from Spanish director Jaume Collet-Serra (Orphan, Non-Stop), who has developed a loyal fan-base with his ability to liven-up the tired tropes of mass-appeal genre films. After a trio of Liam Neeson-led shoot-em-up action entries (including the pretty decent Non-Stop, which was effectively an Agatha-Christie-on-a plane) he returns to horror, where he last worked in 2009 with the underrated Orphan. In what is perhaps his best film to date – on the simplest terms Jaws meets 127 Hours – he tells a gripping and visually arresting survival story of a desperate but determined woman clinging to glimpses of hope, and using her substantial wits and capabilities to fix and manoeuvre her injured body, and navigate the safe havens at her disposal. With a game, intense performance from Lively, and some vicious shark take-downs this is a particularly strong entry in the oft-tried sub-genre.

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Aug 092016
 

ghostbusters

July was the month that I decided to take a step back from cinema. It’s not that I love movies any less, it’s just that after 4+ years of regularly attending screenings/festivals and writing about movies, I really need a break. I am still watching films, but only those films I really want to (no obligation viewings for me), but I am not really writing at the moment. I have to admit it’s kind of freeing, particularly considering how sub-par this blockbuster season has been. I suspect Spring and the increase of indies at the cinema might just get my writing juices flowing again. My round-up of my July viewing is after the jump.

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Aug 062016
 

jasonbourne

After vowing that they were done with the Bourne films, Matt Damon and director Paul Greengrass are back with yet another Jason Bourne movie called, um, Jason Bourne. Arriving after a stellar trilogy of Damon-led films and a sole experiment with Jeremy Renner, Jason Bourne had the potential to be another gripping instalment in the life of everyone’s favourite amnesiac superspy. What was delivered has instead fallen far short of what came before, including the Damon-less The Bourne Legacy which at least made an admirable attempt at innovation. My review of Jason Bourne is after the jump.
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Aug 012016
 

the-long-goodbye-21

You may have seen an announcement that Sam and I made a few weeks back. We are significantly trimming back the content on An Online Universe, as a result of various influences that are limiting our time, and affecting our inspiration to write.

I have simply not had the time or the energy to review the films I am seeing, or write much about anything. I did, however, watch quite a lot of movies. Almost entirely home viewing – a mix of DTV titles, 2016 catch-up, and a few recommended ’80s and ’90s classics. I ended up watching 31 films, and 11 episodes of TV (including the entire season of Stranger Things).

I spent many hours gaming this month – completing Witcher 3: Wild Hut and starting and finishing Uncharted 4, two of the greatest games I have ever experienced. I read Dan Brown’s Inferno – average, what you’d expect from Brown but conceptually thinner and less inspired than his earlier best-sellers – Presumed Innocent – an exceptional psychological whodunit that was adapted into a 1990 film starring Harrison Ford – and three Agatha Christie novels: Three Act Tragedy, Nemesis and Curtain. My next challenge is American Gods, in preparation of the upcoming TV series.

Album of the year update: things are getting quite crowded at the top. 2016 is becoming perhaps my favourite year for music since 2010. In order of discovery, here are my current top 10 albums of the year so far:

Malibu – Anderson .Paak

D-J-Kicks – Moodymann

The Life of Pablo – Kanye West

Singing Saw – Kevin Morby

Paradise – White Lung

A Moon Shaped Pool – Radiohead

The Colour in Anything – James Blake

The Glowing Man – Swans

2 – Mudcrutch

Love and Hate – Michael Kiwanuka

After the jump, check out my thoughts on all of my fresh viewing for the month.  Continue reading »