The Cannes Film Festival, the world’s most prestigious international film festival, is over for another year. Over the course of last twelve days 19 titles screened in the official competition before a jury led by the Coen Bros. Amongst some of the best received critically, at least from what I interpreted through my feed, were Todd Haynes’ Carol, Hou Hsiao-hsien’s The Assassin, Laszlo Nemes’ Son of Saul, Nanni Moretti’s Mi Madre, Justin Kurzel’s Macbeth and Denis Velleneuve’s Sicario.
But, the jury award the Palme d’Or to Jacques Audiard for Dheepan, a drama about a Sri Lankan Tamil warrior who flees to France and ends up working as a caretaker outside Paris. Audiard’s last two films A Prophet and Rust and Bone both screened in the official competition, with the former winning the Grand Prix in 2009.
The Grand Prix (second prize) was awarded to Son of Saul, which sounds tremendous – 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival upon trying to salvage from the flames the body of a boy he takes for his son.
Yorgos Lanthimos’ The Lobster was awarded the Jury Prize (third prize). This is the first English-language feature from the Greek director, featuring a cast including Colin Farrell, Rachel Weisz and John C. Reilly. Set in a dystopian near future, single people are obliged to find a matching mate in 45 days or are transformed into animals and released into the woods. Lanthimos won the Grand Prix in the Un Certain Regard section in 2009 for Dogtooth.
Best Director was awarded to Hsiao-hsien for The Assassin and Best Screenplay was awarded to Michael Franco for Chronic. There was a lot of discussion about the possibility of Tim Roth winning Best Actor for his performance in Chronic, so the screenplay win was a surprise. Best Actress was shared by Rooney Mara for Carol and Emannuelle Bercot for Mon Roi. The former film was wonderfully received, and the performances for both Mara and Cate Blanchett were celebrated. Mon Roi, Maiwenn’s follow-up to the award-winning Polisse, was not well-received at all. Best Actor was awarded to Vincent London for The Measure of a Man, directed by Stephane Brize.
For a full list of this year’s winners, visit the official Cannes Film Festival website.
While it has been hard to gauge just how strong this year’s line-up is, there are certainly a bunch of Competition titles that sound very intriguing. In addition to the aforementioned winners I most look forward to when Denis Villeneuve’s Sicario, Justin Kurzel’s Macbeth, Matteo Garrone’s The Tale of Tales, Paolo Sorrentino’s Youth and Joachim Trier’s Louder Than Bombs all make it to Australian screens over the next twelve months.