Jun 292016
 

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As per usual, the New Zealand International Film Festival is absolutely packed with an amazing variety of fantastic films. I have been lucky enough to see a fair amount of the films showing, so I’ve gone through the programme and picked 12 films I think are worth adding to your festival schedule. Check them out after the jump.

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Jun 262016
 

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After looking forward to it for so long, it’s hard to believe that another Sydney Film Festival is done and dusted. The quality of films was exceedingly high this year, and we had a wonderful time at the festival. Thanks and congratulations to the entire festival team and all of the volunteers.

The Sydney Film Prize (the prize given to the winner of the Official Competition) was this year awarded to Kleber Mondonca Filho’s Aquarius, which also happened to be our favourite film from the festival. The Audience Award (Feature) was awarded to Deniz Gamze Ergüven’ s Mustang; while the Audience Award (Documentary) went to Australian documentary Zach’s Ceremony, directed by Aaron Petersen. 

After the jump we have picked out favourite films, performances, music, cinematography, and other achievements, from the films we saw at the festival. For context, Sam saw 40 films and Andy saw 49 – about 1/5 of what was playing. These selections are purely based on what we saw, and we have no doubt we missed some gems – please let us know what they are! We highly recommend you seek out any of the films mentioned in our “awards” after the jump.

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Jun 252016
 

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The final days of the festival – and when you’re 30+ films in you just want it to be over – brought a mixed bag of films. And more weird and wonderful sensory pleasures. I also slept through my first one on day 11 – Viva, meaning I didn’t catch all 12 of the Official Competition. Read on for thoughts on Fire at Sea, The Red Turtle, Personal Shopper, Notes on Blindness, Under the Shadow, The Handmaiden, Psycho Raman and Gimme Danger.

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Jun 232016
 

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In cinemas this week: Independence Day: Resurgence, Everybody Wants Some and Mustang

Independence Day: Resurgence – Using recovered extraterrestrial technology, the nations of Earth collaborate on an immense defense program to protect the planet. When the aliens attack with unprecedented force, only the ingenuity of a few brave men and women can save the world. Jeff Goldblum and Bill Pullman are back in Roland Emmerich’s anticipated sequel to his groundbreaking 1996 disaster hit.

Everybody Wants Some – In 1980 Texas, a college freshman (Blake Jenner) meets his new baseball teammates (including Will Brittain, Ryan Guzman), an unruly group of disco-dancing, skirt-chasing partyers. The latest from Richard Linklater has had its fans (and vocal dissenters), and sounds like a spiritual-sequel to his 1993 film, Dazed and Confused, provoking nostalgia for the free-wheeling of youth.

Mustang – Early summer in a village in Northern Turkey. Five free-spirited teenaged sisters splash about on the beach with their male classmates. Though their games are merely innocent fun, a neighbour passes by and reports what she considers to be illicit behaviour to the girls’ family. The family overreacts, removing all “instruments of corruption,” like cell phones and computers, and essentially imprisoning the girls, subjecting them to endless lessons in housework in preparation for them to become brides. As the eldest sisters are married off, the younger ones bond together to avoid the same fate. The fierce love between them empowers them to rebel and chase a future where they can determine their own lives in Deniz Gamze Ergüven’s debut, a powerful portrait of female empowerment. Truly wonderful – one of the finest films of the year so far. Further thoughts at the link.

Weekly Recommendation – There’s something for everyone here, but the one we urge you not to miss is Mustang. We’ll be catching Linklater’s latest, and seeing some big-screen mass-destruction this weekend.

Jun 192016
 

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Read beyond for my thoughts on films watched during the quietest stretch of the festival; days 6-9, which includes Chevalier, Letters From War, Desde alla, Suntan, Toni Erdmann, The Endless River, Magallanes and ApprenticeThere are several in here that I didn’t like so much – but certainly none I am sorry I saw.

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Jun 172016
 

Mahana

Set in 1960s rural New Zealand, Mahana (adapted by John Collee from the novel ‘Bulibasha: King of the Gypsies‘ by Witi Ihimaera) tells the story of a Māori family who are ruled over by their iron-fisted patriarch, Tamihana Mahana. Tamihana’s word is law, and he expects a lot from his family, particularly from his young grandson Simeon, who has of late begun to question his grandfather and other aspects of his life.

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Jun 162016
 

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Winner of the 2016 Sundance Film Festival Screenwriting Award, writer/director Chad Hartigan’s third feature film Morris From America is the tender coming-of-age story of a 13-year-old African-American teenager, Morris (Markees Christmas), who is trying to navigate puberty and acclimate to a strange new world, after being relocated to Heidelberg, Germany with his single father, Curtis (Craig Robinson, The Office and This is the End).

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Jun 162016
 

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In 1974, television news show host and journalist Christine Chubbuck committed suicide live on air. Suffering from severe depression, Christine was committed to continuing the network’s obsession with blood and guts TV with this pre-meditated act. Though believed to be the inspiration for Sidney Lumet’s 1976 film Network, where her character was substituted for a veteran male news anchorman set to be sent to pasture, she remains an unknown. The taped footage of the suicide is kept under lock and key, and inaccessible online, and the true reasoning behind what led to her suicide remains only speculation.

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